Femme sur Tracteur

by Claude Venard


MEDIUM: Oil on canvas
DIMENSIONS: (unframed) Size: 44.1 x 57.1 inches (112 x 145 cms)



    Your Message

    Catalogue No: 7010 Categories: , Tags: , ,

    Claude Venard’s powerful abstract work opens up perspectives, projecting spatial vistas into every part of the canvas, in accordance with an emotional rather than a physical order. Rather than capturing the outward appearance of his subject he focuses on its inner forces and underlying rhythms.

    As André Salmon, the famous poet and art critic, said Claude Venard’s works ‘[They] are not meant for empty souls or tepid hearts.’ This strong landscape is indeed not for empty souls.

    Private collection, United Kingdom

    Claude Venard started training as a painter at the age of 17 at the École des Arts Appliqués in Paris. In 1936, he was part of a group show at the Galerie Billet-Worms, which critic Waldemar George hailed as the birth of the group Forces Nouvelles. During the next four years, this group promoted a new form of figuration, marked by the rejection of Impressionism, Cubism, and Surrealism. Over time, Venard distanced himself from the group, which became increasingly figurative. In 1939, the group officially split, but Venard continued to gain recognition during and after the war. He remained faithful to a post-Cubist compositional style established by the Forces Nouvelles, but progressively accentuated the chromatic qualities of his palette, striving to produce crude colours, which he applied in thick impasto.


    Venard enjoyed success during his lifetime, and was given solo shows around the world, in Paris, London, New York, Philadelphia, Chicago, Dusseldorf, Munich Buenos Aires, Tokyo, Canada, Belgium, and Holland. Today, his works can be found in major public and private institutions around the world, including The Metropolitan Museum of Art in New York, the Musée d’Art Moderne in Paris, the Tate London, and the São Paulo Museum of Art.

    Buy with confidence: our assurance to you

    Professional Associations

    We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.


    Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.

    Artwork images

    We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.

    Your purchase process

    Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.

    The Trinity House promise to you

    Shipping and packaging

    Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.

    Our After Sales services

    We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.


    We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.


    We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.


    The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.

      Your Message

      You may also like…

      Go to Top